Above is my montage of the work from the words I have used for 260 MC, the more observant of you will notice that I have used some footage from outside of the words I used but I can assure that all of the footage was shot at the same time as those words but may not have been used as they didn’t ‘fit’ with the words video.
Making this video was obviously a process of the last 10 weeks work and I will now go into detail about each of the words that we had, what happened at how it affected the montage in the end, I will also be offering my opinion of what worked, what didn’t and what lessons I have learnt to follow in the future.
I don’t like it. I never really did, This was a beginners attempt at stop motion but it felt rushed as I was making errors during the production and had a “better make the deadline” attitude to it. In hindsight, I would have done things A LOT differently. For example I would have spent more time and attention into each frame, I would have used a better location and better lighting than the tungsten lighting of my bedroom and a better backdrop than a plain black jacket. What made me feel even worse about this video was that I seen two very good stop motions that week in the form of Leanne and Stan’s pieces. What these pieces did where mine fell short was take much more attention to detail for each frame and also make something that looked interesting. I was also impressed by Stan’s idea although I had seen the concept before I had not seen it executed in the same way. What I learned from this week was to take pride in my work but sometimes No work is better than crap work. A point I will be raising up again later.
I never did finish this piece, despite filming two different pieces for it. I don’t want to use the ‘I was busy excuse’ but I genuinely couldn’t think of an idea for this piece that I liked and when I found the time other words took priority. However I tried experimenting with lighting for this piece, The idea I had was of an alcoholic realizing the situation he is in but being unable to get out of his predicament. I had a provisional title of ‘the dirty glass’ I still have raw footage of me playing the role of this piece, and messing around with emotive lighting, however I didn’t end up editing this piece because of two reasons. 1# being that because I was trying to shoot and act the piece out, framing and such looked a bit odd. I didn’t like the look of the shots in general and 2# I really dislike appearing in my own films, I am one of the worst actors you’ll ever meet and extremely unphotogenic (fussy reason I admit) I also filmed a dirty back alley and had ideas about doing a poem for the area I got some nice shots but the footage ended up being corrupted. I would have just reshot, however I was banned from the loan shop for the last few weeks.
For city I wanted to mess around with photography, I booked out a camera straight after the lecture and decided to mess around with long exposure photography, I ended up with a few photos which are available to see on this blog.
I decided against using these images as I had no ‘idea’ to base around them. I decided to work with James Dann and keep to the photography aspect of things and do a piece inspired slightly by our mutual love of Channel 4 sitcom ‘The Peep Show’ The idea being the inner emotions of the people of a city and the contrasts and contradictions of those people but how similar they ultimately are. This piece I was fairly happy with in it’s narrative form but felt that some of the photos were ‘go nowhere’ ones they also looked a bit ‘touristy’ and not really too artistic,
I also worked on another city piece later on. This one I must credit mainly to Sam Soane for the idea, editing,execution but Me and Jambo went and shot the footage for the following piece (which contains some of my favourite parts of my montage.)
Time was another one that took a long time for me to settle on. I really didn’t like the idea of using a clock which I had seen a lot of other people resort to, I had an idea of using footage of the present day but giving it a vintage feel and a nostagic look back from the future on it, but this idea was quickly shot down. This word was placed on the backburner for a long time as everything else set into full gear. I did eventually get involved with this video.
This video was mainly an opportunity to take advantage of a lovely day and get some ‘people’ shots. something I was severally lacking in my words thus far. I wasn’t involved in the writing or editing but did take main camera role for the shoot. I disliked a few shots which didn’t make the main edit. If I were to shoot this again I would spend more time on the piece as well as getting some more water shots as they were definitely the highlight of the piece.
This was another piece that unfortunately was not finished…well that’s a slight lie. The piece was finished but will probably never see the light of day. What happened with this piece was that we booked out the TV studio and messed around with lighting to create a dark shadow, Myself, Laura Garwood, James Dann, Sam Davies and Gergana Todrova messed around with shadows to create different effects and even threw in a human pyramid in the end. unfortunatly we only had the one back up of this piece and was on G’s hard drive, which stopped working before it was placed online. From this word I learnt to ‘Backup everything’ and to keep extra attention on light and shadows.
For light I yet again worked with Mr. James Dann and once again used photography, however I wanted to experiment and create an animation similar to a few seen in lectures. I liked the video I ended up creating but, I could have made it so much better in hindsight, I relished later on that I could have made a fluid animation using just two photographs for each ‘scene’ by doing a blank photo and one with a full fluid line and then filtering a little bit more the line in each frame to create a waveform to suit my needs. So that’s a major live animation lesson I have learnt. beyond that I realise the piece has some issues with consistency and I can be seen in a few photos and maybe should went closer into the targets but in conclusion I do quite like this piece for it’s charm.
Symmertry was probably the most fun I had in the actual filming process. For this piece I worked with Sam Soane, James Dann and Laura Garwood. In this piece we filmed at laura’s and messed around with paint and see what asymmertical shapes it would make, Complaints of the piece though include that we couldn’t get a better location, It was really difficult to get lighting right in the kitchen. also It would have been nice to have gotten different camera angles as well. This piece did get me some really nice shots for the show reel due to the outside lighting creeping in to create a nice ‘glossy’ effect.
This piece was simply an excuse to use AfterEffects as it was program I wanted to use but had little time to get started on, I viewed a tutorial online to get started and create the Text piece you can see above, I planned to use it in my montage but the fact it was in 4:3 Ratio and the fact that it didn’t suit the rest of the piece played into the reason why I chose not to. but I’m glad I made it as it has given me a lot of confidence of using AfterEffects and Motion in the future.
My Own Word ‘Water’
The word water admittedly came about because I wanted to use some stock footage I had shot in prague whilst shooting for my professional experience piece over there. I had myself a free day and along with Matt Riddle and Sean Keaney shot some footage of the wonderful city, my only regret of that is that I didn’t shoot more. I ended up using the word water as I felt that the shots of the river in Prague were the most beautiful and wanted to create a good looking video piece, which I felt my work had been lacking before. I also wish I spent more time in editing and messed about with colour correcting etc, more.
Finally that brings me onto the actual Montage, for this piece I used the footage I had access to (I did not have access to good quality version of the time piece) I used some ‘leftover’ footage from shoots I did for other words, particularly city and water. For the montage I messed around a lot with colour correction and on some shots smoothcam effect, I felt that it really added a nice shine to my piece and made it look more artsy, before I felt that some of the shots had been very bland and didn’t think I would use them, I do have complaints about the piece though, after watching it again and hearing some comments I feel that there are too many similar shots and the piece does go on too long, also there is not one ‘person’ in the piece, If i had more time I would have liked to get more people in my montage. I would have defiantly liked to have gotten some sports or music pieces filmed as not only would that have helped the ‘people’ aspect of the montage but I would also like to go into filming music acts or sports after my studies at university and it would have been nice to show that off a bit.
In hindsight I have really enjoyed the module It has taught me a lot both technically and about myself as a person when dealing with the pressures of constant deadlines. I honestly felt that there was too many words too often to get a great idea from on this module Out of all the words I’ve done there is only 2 maybe 3 I can say I am happy with, if given more time to prepare I may have come up with better ideas, I certinaly would have had time to prepare actors,locations etc rather than some of the dull ones I ended up using. but I understand the point of this module and made me appreciate how important it is to work in a solid group, some of the best work from myself and from others on this module was achieved by getting a group of similar interests together and playing off each others strengths, So if this module has taught me one thing, it’s too know when not to do it alone.